Tuesday, December 18, 2012

The violent Hobbit

Peter Jackson's Violent Betrayal of Tolkien - Noah Berlatsky - The Atlantic

I don't intend seeing The Hobbit, but I am happy to note criticism of it.  

Given that my impression was that even Lord of the Rings movies graphically hyped  up the battle and slashing quite a bit compared to the books (which I haven't read fully - yes please just ignore me it attacking things I haven't seen really gets up your nose), this commentary in The Atlantic on The Hobbit sounds convincing:
Bilbo then (in both film and book) leaps over Gollum's head, leaving the creature despairing but unharmed. Later, in The Lord of the Rings, Gandalf suggests that Bilbo's pity for Gollum "may rule the fate of many." At the end of Rings, it is ultimately Gollum who, inadvertently, destroys the ring and saves Middle Earth. Mercy is ultimately salvation, and Bilbo's decision not to use violence is at the heart of the quasi-Christian moral order of Tolkien's world. 

If Jackson meant for Gandalf's comment to highlight Tolkien's nonviolent ethic, though, the rest of his film undercuts it—and, indeed, almost parodies it. The scene where Bilbo spares Gollum in the movie comes immediately after an extended, jovially bloody battle between dwarves and goblins, larded with visual jokes involving decapitation, disembowelment, and baddies crushed by rolling rocks. The sequence is more like a body-count video game than like anything in the sedate novel, where battles are confused and brief and frightening, rather than exuberant eye-candy ballet.

The goblin battle is hardly an aberration in the film. I had wondered how Peter Jackson was going to spread the book over three movies. Now I know: He's simply added extra bonus carnage at every opportunity. The dwarves, who in the novel are mostly hapless, are in the film transformed into super-warriors, battling thousands of goblins or orcs and fearlessly slaughtering giant wolves three-times their size.

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